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Cover blurb: Something is wrong in Devil’s End. An archaeologist is overly eager in his attempts to dig into a barrow, a local white witch is foretelling doom and destruction, and the old vicar has disappeared under mysterious circumstances. The Dæmons (1971) is a celebration of occult and new age history and culture, a story that cherry-picks from sources as diverse as Goethe, Kneale and Lovecraft. But how did this most unusual Doctor Who story become such a nostalgic touchstone for the era? Matt Barber has a BA in Medieval Studies, an MA in the History and Literature of Witchcraft and a PhD in Flm and Visual Culture. THE BLACK ARCHIVE: “A grandly ambitious thing to attempt with something as exhaustively detailed as (Doctor Who). But they actually manage it. Treat your bookshelf." | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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