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| What: | The Dimension Riders (New Adventures novels) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Thursday 14 December 2023 |
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| Rating: |   7 |
The Dimension Riders tells a tale often told in Doctor Who and does not really add much to it. The premise is that some ancient evil wants to take control of the universe and wants to use the TARDIS to do so. Said ancient evil, here The Garvond, yes another "The" ancient evil, has no particular motivation or rationale for taking over the universe; it just wants to because it is evil. So, take a mixture of Shada (actually mentioned in this novel), Earthshock, The Invisible Enemy, and a couple more, swap some names and locations, and you get this novel. The writing is also quite amateurish at times. Mostly, this is a matter of stating the very obvious as if it is the most important thing in the universe. Here is a typical example: "A ghost reaching for help. Help that was not there." This sort of telegraphing and clunky prose runs throughout the book. Another detraction for me is that once again we get a TARDIS crew in disarray. No one trusts anyone. Everyone is mad at each other. Why Ace and Bernice remain if they do not like traveling in the TARDIS baffles me. Bernice in this novel even leaves it up to a coin toss to determine whether she stays.
The good parts of the novel are these. Blythe uses solid characterization. Each character is distinct, and, apart from The Garvond, well motivated. He keeps the pace going, neither too fast nor too slow. Various parts tie together. It is a decent enough read, good for passing a few hours.
The Doctor Who Unbound series brief of "What if..." with Doctor Who goes for "What if The Doctor really did believe in the greater good moral philosophy?" The idea here is that if we take criticisms of Doctor 7 literally, that he is just a manipulator with an "ends justify the means" mentality, what would he really be like? David Collings is The Doctor here, played exceptionally well. The story involves The Doctor trying to solve a problem he left unresolved many years earlier. An experiment in human genetics, paid for off the books by the US military, "must be stopped." So, a fairly typical kind of Doctor Who story, seemingly. Yet, as the story progresses, The Doctor's behavior becomes more erratic and questionable, and he gets more self-righteous than moral. There are a few too many coincidences and improbabilities to make the story totally effective. Yet, writer David Bishop pursues the logic of the main idea with gritty determination. This is definitely not for every Who fan.
| What: | Gods and Monsters (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 5 December 2023 |
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| Rating: | 7 |
Gods and Monsters wraps up one phase of a long story, but sets the stage for the next. The Doctor has been trapped and carted off somewhere. Fenric, one of the Old Gods, is back and wants revenge. Or does he? It seems as if he has something else on his mind and The Doctor is only part of a larger scheme. To make a long story short, the story takes place on a chessboard turned into a world. Fenric is not playing chess against The Doctor, but playing against another of the Old Gods. The Doctor is actually a chess piece of Fenric's opponent, as are all the rest of the extended TARDIS team. Much of the story involves The Doctor trying to protect Hex, who seems to be moving ever closer to a predstined end. Of course, that leaves room for Ace to do much emoting (if Ace and Hex are so angry with The Doctor all of the time, why do they stay with him?). The story has many clever elements, several plot twists derived from elements planted in previous stories, and good sound design. But what about Hex? Stay tuned.
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 | Long Plot Fully Confirmed |
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| What: | Black and White (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 5 December 2023 |
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| Rating: | 7 |
The previous few entries in the series seemed to be just The Doctor dithering around with Ace and Hex, or dithering around on his own. Black and White brings these things together to show that The Doctor has been acting according to a plan all along. The plan - create an expanded TARDIS team to finally take on The Old Gods. But, of course, things go just a bit wrong. The new team get accidentally split into two time zones about 15 years apart, where they get involved in the adventures of some rough and tumble guy named Beowulf. The story has a good mixture of humor and pathos. We get Ace and Lysandra playing "Who's the Boss?", while Hex and Sally seem to be bonding, and The Doctor is out of it for most of the story, placed in deep freeze by a conman frog from space, played with campy brilliance by Stuart Milligan (Garundel makes a return in the episode Starlight Robbery). The whole is clever and entertaining, though not spectacular.
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| Another Mad Timelord Meets His End |
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| What: | Doom Coalition 4 (Doom Coalition audios) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 5 December 2023 |
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| Rating: | 7 |
Doom Coalition 4 is the epic ending to the epic adventure that is Doom Coalition. With Doctor 8 in the 2010s and after, Big Finish seems to want to bring him ever closer to Gallifrey. More and more, his fate is tangled up in that planet. Thus, Doom Coalition revolves around the concept of Save the Universe by Saving Gallifrey. And save it from what? Well, it turns out in Doom Coalition 3 it is not from the new mad Time Lord The Eleven, and not the even newer mad Time Lord The Clocksmith, but from ultra patriotic, snooty Civil Servant Time Lord, and, of course, a quondam friend of The Doctor, Padrac (finally, an evil Time Lord who does not have a "The" for a name). Thus, the Doom Coalition of the title is not The Doctor and pals, but Padrac + The Eleven + The Clocksmith + The Sonomancer (from earlier in the series). Part 1 of Doom Coalition 4, Ship in a Bottle, starts with The Doctor, Liv, and Helen, trapped in a lifeboat of sorts in a future that is rapidly disappearing. The story is an occasion for much self-reflection and confessions from the characters, as every effort to escape is doomed to fail. Of course, they do escape, but to what? Part Two, Songs of Love, concentrates on River Song, now seemingly a prisoner of Padrac. However, she schemes her way out, sort of, and exits the series via the Matrix, sort of (it is not really clear just what happens to her in there other than that she rescues The Doctor, who temporarily gets back all his memories of her, only to have her take them away again, which is becoming an all-too-easy out for Big Finish, and then just fade back into her regular timeline, maybe?) So, with River now out of the story, Part Three, The Side of the Angels, gets the TARDIS crew back together. They end up in an alternate New York City where The Monk has formed an alliance with Cardinal Ollistra and the Weeping Angels to create a new Gallifrey on Earth rather than make a direct strike against Padrac. This is an earlier Ollistra incarnation. This one might be the best episode of the four. Then, we get the big confrontation at the end with Stop the Clock. The whole series is fast-paced and keeps one riding along. Writers Fitton and Dorney tie up most the loose ends from Doom Coalition 1. Robert Bathurst is suitably upper-crusty arrogant as Padrac. I have a problem with the resolution, because it rests on Caleera/The Sonomancer being completely doolally for Padrac. The simplification of characters to simple types, to having just one dominant emotion or point of view, does not resonate with me. It seems to me like a solution derived from time constraints or lack of imagination, or both. In sum, Doom Coalition 4 works only if one has already listened to the rest of the Doom Coalition series. The scope is suitably big for Doctor Who, but there are many corners cut in terms of story, especially with the resolution.
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| the worst rtd series its rather good |
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| What: | The Complete Second Series (BBC new series DVDs/Blu-rays) |
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| By: | alonzo butterfant, norwich, United Kingdom |
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| Date: | Monday 6 November 2023 |
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| Rating: | 8 |
episode's 1 6/10 2 8/10 3 9/10 4 10/10 5 7/10 6 9/10 7 2/10 8 10/10 9 10/10 10 6/10 11 1/10 12 9/10 13 7/10
overall a really strong series with too many lows and the christmas invasion is a 5/10
| What: | Blood Heat (New Adventures novels) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Saturday 4 November 2023 |
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| Rating: | 7 |
"Blood Heat" is generally regarded as the best of the "second season" of Doctor Who novels. It does have much going for it. I will start, though, with what for me are problem areas. One is the continued portrayal of Ace as a single-minded, professional soldier, who is somehow still angry all the time and not for any good reason. This one-dimensional Ace is nowhere nearly as interesting as her younger self in the TV series and the early Big Finish audios (produced a few years after the Virgin run of Doctor Who novels). Another is that Mortimore indulges in too many drawn-out battle and fight scenes, described in just a bit too much gory detail. If realism is what he is aiming for, that is fine, but to have characters performing superhuman acts, such as Bernice's single-handed takeover of a nuclear submarine, undercuts the supposed realism injected by the detailed descriptions of all the ways to damage a human body. Further, the ending of the novel is a greatly rushed final battle sequence, and the resolution just magically "happens" because the novel has to end. Last, for this review anyway, is that because the novel is an alternate universe story, the reader gets to retread much old ground if the reader has seen the previous Doctor Who TV serials that this book builds on - "The Silurians," "The Sea Devils," and "Ghost Light" primarily, with a few smaller references to others. Something that may bother some readers is that this is the first novel in a five-novel "Alternate Universe" sequence that finds The Doctor being manipulated, forced to live through versions of history in which he did not win out or was not around to solve the problem. As such, the ending of this novel is a blank space. We know that The Doctor is being manipulated, but we do not know who is doing it or why.
Now, for the good parts. First, this novel is probably the best-written New Adventures novel up to this point. The novel has very little clunky dialogue. Mortimore avoids the many early-novel mistakes that clutter previous works in the New Adventures series. He gets down to telling the story, with straightforward plotting and a good sense of how to keep characters distinct and interesting. We are meeting characters we know from the past, but these are much different characters in many ways, shaped by entirely different circumstances. Mortimore does very well in making the characters both like their originals, yet different. He is especially good with Sergeant Benton in this regard. The story has about five different threads, and Mortimore does well in keeping them all going on the same general course. As an interrogation of "Doctor Who," and thus, necessarily, of The Doctor, this novel is better than most others. With the exception of Ace, the characterizations are all clear in setting up why characters take the ethical positions they do, and why they act as they do. Thus, "Blood Heat" has more positives than negatives and makes pretty good reading.
Final Note: Mortimore self-published a "writer's cut" version of this novel, substantially longer. I have not read it, so I do not know whether it counteracts some of the criticisms I have.
| What: | Cyber-Hunt (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 24 October 2023 |
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| Rating: | 7 |
Cyber-Hunt starts another BBV "Doctor Who but we can't call it Doctor Who" series. I think this is the third of four. Here, we have The Wanderer (call me Fred), played by Nicholas Briggs. He's left behind his friends and gone off to have some peace, quiet, and a good think. However, he ends up in a war zone, the war between the Cyberons, I think, but let's just call them Cyber Men, and humans. The humans have won this particular battle, but the commander wants to get a war trophy - to hunt and kill an already damaged Cyber guy. This plan goes horribly wrong and poor Fred is stuck right in the middle of it all. The story is very Doctor Who, made all the more so because Briggs plays his time traveling character an awful lot like Peter Davison's Doctor. There is nothing outstanding about the story or production as a whole. It is very comfortably Doctor Who.
The second entry in the Pocket Universe series finds the Mistress and K-9 still on the lookout for technology they can use to complete their time ship. They discover an abandoned Dyson Sphere. However, this structure is also the target of an expedition financed by a rich scientist / historian (it is not all that clear) looking for evidence of the Old Ones (or something like that), who are now the source of a religion on their home world. The guy starts becoming more and more of a religious fanatic. The counterpoint "science" guy on the trip starts out well enough, but once he encounters our heroes, becomes just a thug with a gun, completely contrary to how he'd been depicted in the beginning of the story. So, my main problem with this one is the inconsistent characterization. The story needs to have our heroes locked up, so characters can completely change just to accomplish that end. So, it is a bit of a frustrating listen.
Another BBV unofficial Doctor Who spinoff series (with only two episodes) is the Mistress and K-9 series. Here, the Mistress is trapped in luxury, spoiled rotten in a castle, desperately trying to get the parts to build her time ship so she can escape. When she foolishly makes an escape in the unfinished craft, she gets a nasty surprise about the history of the world she has been on. Lala Ward and John Leeson are great in reprising their roles. The rest of the cast do their best with some very stilted dialogue. The story aims for an intellectual payoff that does not really arrive.
The last entry in The Time Travellers series is a good old-fashioned Murder on the Orient Express kind of story. The duo are on a train to see the sights, but Alice (Ace), typically, is bored by the whole thing. At this point in future history, a long space war is over, but those who fought the war still do not trust each other. So, there are some depictions of racism for the audience to get worked up about along with Alice. In the meantime, people start dying. The Domine (The Professor), posing as a doctor, becomes the de facto detective. We get the return of a character from the Ghosts episode of the series, but this is earlier in her history than in The Time Travellers' history, pointing out once again the ethical difficulties of time travel. It's a decent murder mystery story with some bits of moral lecturing, and a big emotional outburst from Alice at the end (you knew with Ace there had to be one) that does not quite make sense to me.
| What: | The Time Travellers: Only Human (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 24 October 2023 |
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| Rating: | 3 |
This story is the low point for The Time Travellers series. It seems to be a kind of throwback to the Hartnell era Doctor Who kind of story that jumps around from place to place in largely episodic fashion with each bit only loosely connected. The Time Travellers go off course, arrive somewhere, get in trouble, then pick up a new companion. They do this three times. The new companions themselves are almost unbearable in conception, especially the android Vixie. There is a circularity to it in that the questions of the early part are resolved in the last part. That still does not make up for some very loose plotting, mediocre characterizations, and clunky information-dump dialogue.
| What: | The Time Travellers: Ghosts (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 24 October 2023 |
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| Rating: | 7 |
Ghosts is a rather complicated story. The Time Travellers are still looking for a vacation. They go to the volcanic Hedistic islands, where the locals are now working as servants for a giant corporation that pretty much runs the planet. While on their way, The Professor apparently dies, but how is unclear. This prompts Ace to go on a mad investigation to find out the cause. She believes he was murdered, but how to prove it? The story has an interesting set of distinct characters, well performed. There is a central idea to the whole plot, which explores trauma, painful memory, loss, grief, and the various ways people deal with or do not deal with those feelings. The villain's plan is intimately tied to those feelings, so in many respects the villain is not a villain, just misguided and obsessed. The plan itself stretches credulity for me, even in a science-fantasy production. Overall, I found this story worthwhile.
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| Everyone Deserves a Second Chance |
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| What: | Second Chances (The Companion Chronicles audiobooks) |
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| By: | Andrew Munro, Corby, United Kingdom |
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| Date: | Thursday 12 October 2023 |
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| Rating: | 8 |
When I picked up the CD and saw that this was written by John Dorney I knew everything would be alright and it was.
Added to this, a brilliant performance from Wendy Padbury and it is a must listen.
The story deals with the aftermath of Zoe's time with the Doctor and trying to retrieve her memories of that time after they were taken by the Time Lords and the end of the War Games.
What memory is being recovered and what impact does it have for Zoe in the present?
Listen and find out you wont regret it.
| What: | Guests for the Night (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 3 October 2023 |
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| Rating: | 7 |
"Guests for the Night" gives the listener a haunted house, sci-fi style. The Professor has dragged Ace to some dilapidated house in the middle of nowhere to find a "point of stillness." There, they meet a belligerent American looking for his missing sister. As they walk to the house, it mysteriously comes alive. Inside are the creepy brother and sister, upper class twits if ever there were any, and their strange butler, both menacing and incompetent. Are they vampires? The difficulty for the writer is how to turn the haunted house tropes into science-fiction tropes. There are a few interesting twists to get there. The problems in the story mostly involve The Professor, who is alternately reluctant to enter the house, then eager to enter the house, reluctant to cooperate with the bizarre family, then eager to get on their good side (they don't really have one). The Professor's behavior is driven more by the need to get him somewhere in the plot than by consistency of character. Also, the American looking for his sister is there as a contrivance to get the characters into the house, and once they are in, he is quickly dispatched, and no longer relevant, forgotten by the end of the story. So, my assessment is that the story has much that is entertaining and interesting, but these elements are mired in an ill-constructed plot.
| What: | The Other Side (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 3 October 2023 |
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| Rating: | 6 |
The second of the Ace specials is a bit less of a two-hander than the first one. The Professor has more to do in this story. The plot is that Ace gets apparently killed in a road accident, and in the waiting zone before passing on to The Other Side meets her Nan, who seems just a bit too desperate to get Ace to admit she is dead and "cross over." The dialogue between Ace and Nan gets a bit tedious, and it seems obvious to me, anyway, that Nan ain't really Nan. She just tries too hard and remains vague about too many important matters. So the dialogue gets a bit tedious, not a good thing for a dialogue-heavy production.
| What: | The Left Hand of Darkness (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 3 October 2023 |
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| Rating: | 7 |
The first of the Ace specials, call them Professor-Lite, is the better of the two. In this story, Ace was apparently abducted and placed aboard a slaver ship that crashes, leaving her the only survivor. A mysterious person named Dorsai rescues her, but Ace, ever belligerent, doesn't trust him. Ace is apparently blinded in the crash, so must remain dependent upon Dorsai, a fact she bitterly resents. For his part, Dorsai lives alone on this planet, tending the graves of his mentors. Dorsai is strangely unemotional, but seems to have motivations at odds with normal human behavior. The story is basically the interaction between Ace and Dorsai across a few weeks, while she waits for The Professor to rescue her. The production, therefore, is heavy in dialogue, with much back-and-forth about trust, companionship, and friendship. The story allows Sophie Aldred to do a heap of emoting, returning Ace to the character as she was at the end of the TV Doctor Who run, and less like the Ace of previous Time Travellers audios.
| What: | Prosperity Island (BBV Audio Adventures in Time and Space) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 3 October 2023 |
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| Rating: | 8 |
To my mind, this is the best of BBV's "The Time Travellers" audios. Tim Saward has written a science-fiction version of Shakespeare's "The Tempest" that is in many ways much closer to the original than is "Forbidden Planet." The planet Millanno is a business primarily providing holidays so expensive that people will sell limbs and organs to pay for them. The government also runs a side hustle in hospitals and arms dealing. It has, though, an even darker past. The former Director, a man named Projoy (Prospero), is abandoned on Prosperity Island with his son, Milo (Miranda), who has extraordinary mental powers. For 16 years Projoy has been plotting his revenge against the current Director, his wife Antoinette (Antonio). Now, with the help of his android assistant Gabriel (Ariel), he strands his wife on Prosperity Island where he can confront her with her crimes. However, the plans go awry when The Professor and Ace have stowed away on the ship that Projoy crashes, and so end up on Prosperity Island as well. Saward has chosen not to copy the original plot in all particulars, but adds another layer regarding the history and politics of Millanno. This involves an experiment creating super-babies of extraordinary mental abilities, which went horribly wrong and involved an official cull of said babies, except for Milo, the only one left. Saward has also elected not to redeem Projoy as Shakespeare had redeemed Prospero, the apparent tyrant at the beginning who turns benevolent at the end. Projoy is a monster through and through, played extraordinarily well by Peter Miles. The whole is a thoughtful exploration of both family and national politics. There are some problems with the science behind much of what goes on, and the subplot involving Calida (Caliban) feels more distracting than integral. On the whole, the production is a worthwhile listen that fits the "Doctor Who" format quite well.
| What: | The War To End All Wars (The Companion Chronicles audiobooks) |
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| By: | Andrew Munro, Corby, United Kingdom |
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| Date: | Tuesday 3 October 2023 |
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| Rating: | 9 |
Peter Purves turns out one hell of a performance as both an old version of Steven(Telling this story to his granddaughter) and the younger version in the middle of his adventures with the Doctor and Dodo. The script is well written and moves at pace. I wont give away any spoilers but this drama sums up the futility of war and how people can get swept up into it and to a stage where they don't know what they are fighting for but keep going as its the only thing they no. This could easily been set within the realms of the first world war but this setting adds to the puzzle on what is going on. Please give it a listen.
| What: | Iceberg (New Adventures novels) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Saturday 23 September 2023 |
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| Rating: | 7 |
Iceberg suffers from first novel syndrome. Actor David Banks, who had played the Cyber Leader on TV a couple of times and written a good non-fiction book about the Cybermen, here tries to write a Cybermen story set, for them, between "The Tenth Planet" and "Tomb of the Cybermen," with a few references to "The Invasion" and one or two oblique references to "The Wheel in Space." Because of the historical setting on Earth, 2006, there are also a few references to later Cybermen stories. Banks relies upon the timeline he created for his "Cybermen" book. As far as the Cybermen go, there is not much original in this novel. They are hiding away with a secret army frozen ready for use, waiting for the opportunity to nab a bunch of humans and convert them into Cybermen. This novel also fits into the Virgin Books story arc for 1993, which is basically that the TARDIS crew can't really stand each other, and certainly can't work together, so The Doctor has, without telling the other two, separated everybody so they can have a good think, while still fighting some monsters of course. In Iceberg, we get The Doctor on his own, sans Ace and Benny. He picks up a new temporary companion in plucky young journalist Ruby Duvall. The story follows the standard 2 1/2 plot lines writing that is usual for long-form TV drama. Plot line 1 involves the impending magnetic flip, Earth's magnetic field swapping poles. To prevent this disaster, Earth governments are using the same base in Antarctica that was the scene of "The Tenth Planet" to launch a new technology called FLIPback. For this mission, they have chosen General Pam Cutler, the daughter of General Cutler from "The Tenth Planet." Plot 2 involves Ruby Duvall, daughter of a crippled computer programmer, now a journalist given the job of writing puff pieces about a cruise to Antarctica. The half is The Doctor confronting what he has become. The novel is reasonably well written, with decent characterization, naturalistic dialogue, and enough energy at the end to make up for some slowness at the beginning.
The problems of this novel rest in all the things Banks wants the novel to do. He has a pretty good idea of what a novel, as opposed to a TV episode, should have. He just cannot quite make it all work. Because this is a novel, Banks feels he has to give his original characters a full background, plus has to show them in normal circumstances. The problem is that he takes too long to do this. Far too much of the novel is made from scenes of life on the cruise ship and life on the base, without the details getting to anything meaningful in terms of the larger plot. Thus, the arrival of The Doctor and The Cybermen is delayed to well after half the novel is already done. There are little vignettes of The Doctor wandering in the TARDIS and the Cyber Controller thinking to itself just to remind the reader that, yes, this is a Doctor Who novel about The Cybermen. Yet, the vignettes serve no other function, and only highlight the idea that maybe Banks was writing some other kind of novel. Banks also tries hard to create thematic connections, such as conceptually linking The Cybermen to the Tin Man in the Wizard of Oz, and thus having a running Wizard of Oz theme (The Doctor is like the Wizard, an actor dresses as the Tin Man for the OZ-themed costume ball, and so on). He also focuses on the environmental damage humans are doing to Earth, suggesting that similar actions on Mondas are what led those people to turn themselves into the Cybermen. Here, the ideas are sound, but the connections not well made. The tie-ins to previous episodes are first-thought tie-ins rather than carefully worked out plot connections. Why should the commander in Antarctica be the daughter of the original commander? There's not a good plot reason, and once the Cyber plan is in action, the character is pretty much an irrelevancy. Why use the old base anyway? Once again, there is no good internal logic for doing so, just that it makes a nifty tie-in to "The Tenth Planet." There's a side character named Barbara who could be, perhaps, just maybe, but probably isn't, Barbara Wright. Big portions of the plot are there for convenience and misdirection. For example, Mike Brack's ice sculpture in the iceberg is the location of the Cyber invasion force, yet, since he is not, as it turns out, a Cyber agent, and no one on the cruise liner is, how would the Cybermen know that he would use that exact iceberg?
So, while Iceberg has much going for it, the novel still does not hold together well enough for a high rating.
